SEARCH RESULTS FOR: Frankie Avalon
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(Trumpet, vocals, b. 1939) As rock’n’roll lost its way in the late 1950s, good looks replaced musical ability and Philadelphia-born Francis Avalon became a teen idol via a series of forgettable pop hits like 1959’s million-selling US No. 1, ‘Venus’. Frequent exposure on the American Bandstand TV show produced two dozen US hits by 1962, and ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

(C-melody and alto saxophone, 1901–56) Known as ‘Tram’ by his colleagues, Trumbauer was a player of impeccable technique who had a major influence on many saxophonists in the 1920s (notably Benny Carter and Lester Young). He first recorded in 1923 with the popular Benson Orchestra of Chicago and by 1926 was playing alongside cornettist and kindred spirit Bix Beiderbecke ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Vocal group, 1955–65) New Yorker Lymon (1942–68) was invited to join a school vocal group with Sherman Gaines (1940–78), Jimmy Merchant, Joe Negroni and Herman Santiago. Before finding Lymon, the others, who were known as The Premiers, were working on a song they had written, but needed a soprano lead voice, a vacancy Lymon ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

(Vocal/instrumental group, 1980–87) Fronted by the charismatic Holly Johnson, FGTH – Paul Rutherford (vocals), Peter Gill (drums), Mark O’Toole (bass) and Brian Nash (guitar) – hit Britain with three consecutive No. 1s: the exciting, synthesized funk pop of 1983’s ‘Relax’ (banned by the BBC) and ‘Two Tribes’ – both precursors of house music – and the huge ballad ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

Across the centuries and around the globe, many different forms of music have enjoyed mass appeal for a limited period of time. None, however, have been able to match the widespread influence of the popular music that erupted in America during the mid-1950s and, by the second half of the decade, was exerting its grip over ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

(Vocals, b. 1942) Philadelphia-born Robert Ridarelli regularly appeared on Paul Whiteman’s TV talent show, and played with Frankie Avalon in Rocco and The Saints, before signing with the local Cameo label in 1959. His biggest success was 1960’s million-selling US Top 3 hit, ‘Wild One’, although the same year’s ‘Volare’ (US Top 5) has aged better. Probably ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

(Guitar, producer, 1924–2001) Tennessee-born Chester Burton Atkins, whose father was a music teacher, was one of the most influential twentieth-century guitarists, and was initially influenced by the finger- and thumb-picking country-style playing of Merle Travis. Signed to RCA from 1947, he made scores of mainly instrumental albums, and in 1955 became the head of ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

Consisting of John Lennon (1940–80) on rhythm guitar, Paul McCartney (b. 18 June 1942) on bass, George Harrison (1943–2001) on lead guitar and Ringo Starr (b. Richard Starkey, 7 July 1940) on drums, The Beatles evolved from Lennon’s grammar school skiffle group The Quarry Men to become the most successful, acclaimed and influential act in the ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

During the mid-1950s, the American and British pop scenes experienced a complete shake-up of the old order. Up until the decade’s halfway point, the airwaves, record stores and jukeboxes were filled with sentimental ballads, novelty songs and instrumentals that largely reflected the tastes of white adults. American artists such as Frankie Laine, Frank Sinatra, Dean ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

The 1950s was the decade when the straitjacket imposed by the recent world war was loosened a little – and rock took full advantage. The Sun studios in Memphis and Chess Records in Chicago were the places to be as the likes of Elvis, Jerry Lee Lewis and Chuck Berry turned the existing generation gap into a chasm. Though he ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

Unlike rock music, electronic music is made partly or wholly using electronic equipment – tape machines, synthesizers, keyboards, sequencers, drum machines and computer programmes. Its origins can be found in the middle of the nineteenth century, when many of electronic music’s theories and processes were conceived. In 1863 German scientist Hermann Ludwig Ferdinand von Helmholtz ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

Benny Goodman was the first of the great bandleader virtuosos of the 1930s to achieve global success. Through a combination of personal connections, nerve, enormous talent and sheer luck, he parlayed a sequence of opportunities in 1934–35 into a payoff that changed American music. After forming his first band in New York in 1934, he won a ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

The most strikingly original and authoritative voice on cornet since Louis Armstrong, Leon ‘Bix’ Beiderbecke set the example for a generation of aspiring white jazz players during the 1920s. His meteoric rise to fame was followed by a dramatic fall from grace that led to his ultimate death from alcoholism at the age of just 28 in 1931. A Self-Taught Genius ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Trumpet, 1889–1949) William Geary ‘Bunk’ Johnson, a New Orleans trumpeter with good reading and improvising skills, said that he played in Buddy Bolden’s pioneer band before 1900. He was certainly associated with Frankie Duson and other Bolden cohorts, and was famous as a showy, lyrical soloist. Johnson’s nickname rose from his loquacity, and he was ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

David Bowie has inspired more musicians than most recording artists, but he naturally also had his own formative influences. Who Does He Love ? It almost goes without saying that Elvis Presley was important to him: few of the musicians who became teenagers in the Sixties weren’t overwhelmed by The King’s stunning larynx and greaseball beauty. Perhaps revealingly, Bowie ...

Source: David Bowie: Ever Changing Hero, by Sean Egan
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Rock, A Life Story

Rock, A Life Story

The ultimate story of a life of rock music, from the 1950s to the present day.

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Fantastic new, unofficial biography covers his life, music, art and movies, with a sweep of incredible photographs.